{"id":56,"date":"2020-09-26T10:46:33","date_gmt":"2020-09-26T10:46:33","guid":{"rendered":"https:\/\/sampadatv.org\/sampada2025\/?page_id=56"},"modified":"2023-02-15T15:14:23","modified_gmt":"2023-02-15T15:14:23","slug":"carnaticmusic","status":"publish","type":"page","link":"https:\/\/sampadatv.org\/sampada2025\/carnaticmusic\/","title":{"rendered":"Carnatic Music"},"content":{"rendered":"

[widget id=”nav_menu-7″]
\nLevel 1<\/a>
\nLevel 2<\/a>
\nLevel 3<\/a>
\nLevel 4<\/a>
\nLevel 1<\/p>\n

Carnatic Music (Vocal, Violin, Veena & Flute)<\/strong><\/p>\n

Syllabus<\/strong>
\n1st Year (LEVEL 1) \u2013 Theory<\/p>\n

Technical Terms:<\/strong><\/p>\n

    \n
  1. Sangeetamu 2. Shruthi 3. Swaram 4. Sapthaswaras 5. Swaragathasthanas 6. Arohana 7. Avarohana 8. Sthayi 9. Avarthamu 10. Dhatuvu 11. Mathuvu 12. First, Second, Third speeds 13. Talas, Talangas 14. Aksharakala  15. Sapthatalas 16. Panchajathis 17. Touryatrikam 18. Nadam and technical terms of other topics in the syllabus.<\/li>\n
  2. Characteristics of Geetha and Swarapallavi<\/li>\n
  3. Life Histories of Paidala Gurumurthy Sastri and Purandaradasu.<\/li>\n
  4. Scheme of 35 talas<\/li>\n
  5. Writing music composition in notation.<\/li>\n<\/ol>\n

     PRACTICAL<\/strong><\/p>\n

    Saraliswaras \u2013 8 ( Mayamalavagaula )<\/strong><\/p>\n

      \n
    1. SA RI GA MA \u2013 PA DA NI SA \u2013 SA NI DA PA \u2013 MA GA RI SA<\/li>\n
    2. SA RI GA MA \u2013 SA RI GA MA \u2013 SA RI GA MA \u2013 PA DA NI SA<\/li>\n
    3. SA RI GA MA \u2013 SA RI SARI \u2013 SA RI GA MA \u2013 PA DA NI SA<\/li>\n
    4. SA RI GA MA \u2013 PA MA GA RI \u2013 SA RI GA MA \u2013 PA DA NI SA<\/li>\n
    5. SA RI GA MA \u2013 SA MA GA RI \u2013 SA RI GA MA \u2013 PA DA NI SA<\/li>\n
    6. SA RI GA MA \u2013 PAMA DA PA \u2013 SA RI GA MA \u2013 PA DA NI SA<\/li>\n
    7. SA RI GA MA \u2013 PAA; \u2013 SA RI GA MA \u2013 PA DA NI SA<\/li>\n
    8. SA RI GA MA \u2013 PAA GA MA \u2013 PAA; \u2013 PAA;
      \nGA MA PA DA \u2013 NI DA PA MA \u2013 GA MA PA GA \u2013 MA GA RI SA<\/li>\n<\/ol>\n

      Janta Swaras- 6 ( Mayamalavagaula \/ Sankarabharanam)<\/strong><\/p>\n

        \n
      1. SA SA RI RI \u2013 GA GA MA MA \u2013 PA PA DA DA \u2013 NI NI SA SA<\/li>\n
      2. SA SA RI RI \u2013 GA GA MA MA \u2013 RI RI GA GA \u2013 MA MA PA PA<\/li>\n
      3. SA SA RI RI \u2013 GA GA RI RI \u2013 SA SA RI RI \u2013 GA GA MA MA<\/li>\n
      4. SA SA MA MA \u2013 GA GA RI RI \u2013 SA SA RI RI \u2013 GA GA MA MA<\/li>\n
      5. SA SA RI RI \u2013 SA SA GA GA \u2013 SA SA MA MA \u2013 GA GA RI RI
        \nSA SA RI RI \u2013 GA SA RI GA \u2013 SA SA RI RI \u2013 GA GA MA MA<\/li>\n
      6. SSS-RRR-GG | SS RR | GG MM || RRR-GGG-MM | RR GG | MM PP ||    GGG-MMM-PP | GG MM | PP DD || MMM-PPP-DD | MM PP | DD NN ||<\/li>\n<\/ol>\n

         <\/strong><\/p>\n

        Datu Swaras \u2013 2 <\/strong><\/p>\n

          \n
        1. Sa ma ga ri \u2013 sa ri ga ma \u2013 ri pa ma ga \u2013 ri ga ma pa<\/li>\n
        2. sa ma ga ma \u2013 ri ga sa ri \u2013 sa ga ri ga \u2013 sa ri ga ma<\/li>\n<\/ol>\n

          Alankaras (Sapta Tala Alankaras)
          \n<\/strong>(All the above sections should be sung in 3 speeds either in Mayamalavagaula or Sankarabharanam only)<\/p>\n

           <\/strong><\/p>\n

           <\/strong>Geethams \u2013 6<\/strong><\/p>\n

            \n
          1. Sri gananadha \u2013 Malahari ragam \u2013 Roopaka talam<\/li>\n
          2. Varaveena \u2013 Mohana ragam \u2013 Roopaka talam<\/li>\n
          3. Sri Govinda \u2013 Sanakarabharanam ragam \u2013 Mathya talam<\/li>\n
          4. Kamlajadala \u2013 Kalyani ragam \u2013 Triputa talam<\/li>\n
          5. Analekara \u2013 Suddha saveri ragam \u2013 Triputa talam<\/li>\n
          6. Arere Jaya Jaya \u2013 (Sreeranjani ragam \u2013 Triputa talam or any equivalent Lakshana Geetham in other Ragas)<\/li>\n<\/ol>\n

            (Geethams should be sung\/played in 3 speeds)<\/p>\n

              \n
            1. Swara Pallavi <\/strong>(Hindola ragam \u2013 Adi talam or any other equivalent) or any Jathiswaram<\/strong> or any Swarajathi<\/strong>)
              \n(Swara Pallavi Section should be sung \/ played in two speeds)<\/li>\n<\/ol>\n

               <\/p>\n

              Level 2<\/p>\n

              Carnatic Music (Vocal, Violin, Veena & Flute)<\/strong><\/p>\n

              2nd YEAR \u2013 Level 2<\/strong><\/p>\n

              Theory<\/strong><\/p>\n

                \n
              1. Explanation for technical words for all topics of the syllabus<\/li>\n<\/ol>\n
                  \n
                1. 16 Sudha, Vikruthi swara gatha sthanas<\/li>\n
                2. Explaining Raga Trayodasa lakshanas<\/li>\n<\/ol>\n
                    \n
                  1. Ragalakshanas <\/strong>: 1. Mayamalavagaula 2.Malahari 3.Mohana 4.Kalyani 5.Sankarabharanam 6.Kambhoji 7.Hamsadhwani 8.Vasantha 9. Sudha Saveri 10. Hindola 11. Abhogi 12. Jaganmohini<\/li>\n
                  2. Lakshnas of Varna<\/li>\n<\/ol>\n
                      \n
                    1. Life histories: Veena Kupair  2.Tiruvottiyoor Thyagayyar 3.Patnam Subramanayayyar<\/li>\n
                    2. Writing musical compositions in notation<\/li>\n<\/ol>\n

                                                           2nd YEAR \u2013 Level 2 \u2013 PRACTICAL<\/strong><\/p>\n

                        \n
                      1. Akara Singing in Fundamentals\/Geethams\/Swarapallavi-Swarajathi (from Level 1 Syllabus)<\/li>\n
                      2. Tana Varnas (6) \u2013 Adi Tala Varnas <\/strong>
                        \n1. Sankarabharanam (Adi Tala) 2. Kalyani (Adi Tala) 3. Mohana (Adi Tala) 4. Vasanta (Adi Tala) 5. Abhogi (Adi Tala) 6. Hamsadhwani (Adi Tala)<\/li>\n<\/ol>\n

                        All the above varnas should be sung\/play in two speeds<\/p>\n

                          \n
                        1. Kritis: Two out of Three <\/strong><\/li>\n
                        2. Samajavaragamana 2. Kalaharana 3. Sobhillu Saptaswara<\/li>\n
                        3. Keerthana: One out of Three<\/strong><\/li>\n
                        4. Annamacharya Sankeerthana 2. Ramadasu Keerthana  3. Purandaradasu  Devaranaamam<\/li>\n<\/ol>\n

                          .<\/p>\n

                          For more details contact support@sampada.siliconandhra.org<\/a><\/p>\n

                          Level 3<\/p>\n

                          Carnatic Music (Vocal, Violin, Veena & Flute)<\/strong><\/p>\n

                                Syllabus \u2013 3rd Year \u2013 Level 3<\/strong><\/p>\n

                          THEORY<\/strong><\/p>\n

                            \n
                          1. Raga Classification, Janaka, Janya ragas; Audava, Shadava, Sampoorna ragas, Upanga, Bhashanga ragas, scheme of 72 melakartas, vivadi melas.<\/li>\n
                          2. Desadi, Madhyadi, Chaputalas; Taladasa pranas.<\/li>\n
                          3. Ragalakshanas: 1. Thodi, 2. Sri Ragam 3. Darbar, 4. Natakuranji, 5. Sriranjani 6. Purvi Kalyani, 7. Bilahari, 8. Kedaram, 9. Nata 10. Sahana 11. Nadanamakriya 12. Saveri<\/li>\n
                          4. Characteristics (Lakshnams) of kruthi and keerthana.<\/li>\n
                          5. Life Histories: 1. Thyagaraja 2. Muttuswamy deekshitar   Syamsastry  4. Bhadrachala Ramadasu 5. Annamacharya<\/li>\n
                          6. Complete description about the Musical instruments<\/li>\n
                          7. Tamboora 2. Veena 3. Violin 4. Mridangam<\/li>\n
                          8. Writing music compositions in notation<\/li>\n<\/ol>\n

                                                                                                         PRACTICAL<\/strong><\/p>\n

                              \n
                            1. Varnams: Four out of Five (Padavarnams Compulsory)<\/strong><\/li>\n<\/ol>\n

                              1.Sarasuda \u2013 Saveri (Adi Tala)  2. Era Naa Pai \u2013 Todi  (Adi Tala )   3. Saami Ninne \u2013 Sree (Adi Tala)  4. Chalamela \u2013 Darbar (Adi Tala)    5. Chalamela \u2013 Natakuranji (Pada Varnam)<\/p>\n

                                         (Above Varnas should be sung \/ play in two speeds & Varnas to be sung in (Aditalam \u2013 rendukalalu) or Adi chouka taalam)<\/p>\n

                              Kritis: Six out of the Eight <\/strong><\/p>\n

                                \n
                              1. Evarura \u2013 Mohana \u2013 Misrachapu \u2013 Tyagaraja
                                \n2. Mahaganapatim \u2013 Nata \u2013 Adi \u2013 Dikshitar
                                \n3. Brochevarevare \u2013 Sriranjani \u2013 Adi \u2013 Tyagaraja
                                \n4. Paridana \u2013 Bilahari \u2013 Khandachapu \u2013 Patnam Subramanya Iyer
                                \n5. Himadrisute \u2013 Kalyani \u2013 Rupaka \u2013 Syamasastri
                                \n6. Gnanamosagarada \u2013 Poorvikalyani \u2013 Rupaka \u2013 Tyagaraja
                                \n7. Karunajaladhe \u2013 Nadanamakriya \u2013 Adi \u2013 Tyagaraja (Divyanama kriti)
                                \n8. Any Papanasam Sivan or Oothukkadu Venkata Kavi composition<\/li>\n<\/ol>\n

                                (Students can also sing equivalent Kriti in the same Raaga)<\/p>\n

                                  \n
                                1. Swara Kalpana:<\/strong> Kalyani and Mohana<\/li>\n<\/ol>\n

                                  For more details contact support@sampada.siliconandhra.org<\/a><\/p>\n

                                  Level 4<\/p>\n

                                  Carnatic Music (Vocal, Violin, Veena & Flute)<\/strong><\/p>\n

                                                                                       Syllabus \u2013 4th Year \u2013 Level 4<\/strong><\/p>\n

                                                                                                          THEORY<\/strong><\/p>\n

                                    \n
                                  1. Explanation for technical terms<\/li>\n
                                  2. Vadi 2. Samvadi 3. Vivadi 4. Anuvadi 5. Mukthayi Calculation and other technical terms in the other topics of the syllabus<\/li>\n
                                  3. Panchadasa gamakas, lakshana of Kampitha gamakas \u2013 usage<\/li>\n
                                  4. Manodharma Sangeetham<\/li>\n
                                  5. Raga Lakshanas<\/strong>: 1. Bhairavi 2. Kharaharapriya 3. Begada 4. Dhanyasi 5. Arabhi 6. Pharaj 7. Khamas 8. Kuranji 9. Husseni 10. Pantuvarali<\/li>\n
                                  6. Composition Lakshanas:<\/strong>\n
                                      \n
                                    1. Ashtapadi 2. Tillana 3. Tarangam 4. Javali 5. Padam 6. Daruvu<\/li>\n
                                    2. Life Histories:<\/strong> 1. Kshetrayya 2. Pachimiriyam adi appayya 3. Narayana Teertha 4. Jayadeva 5. Sadasiva brahmendra Swamy<\/li>\n
                                    3. Complete description<\/strong> about Flute, Gotu instruments<\/li>\n
                                    4. Writing notation<\/strong> for the compositions.<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n

                                                                                                                   PRACTICAL<\/strong><\/p>\n

                                      A. Swarajathi<\/strong> : Kaamakshi \u2013 Bhairavai \u2013 Chapu \u2013 Syamasastry (or)<\/p>\n

                                      B. Varnam:<\/strong> Viriboni \u2013 Bhairavi \u2013 Ata (two speeds)<\/p>\n

                                      C. Kritis:<\/strong> Eight out of Fourteen <\/p>\n

                                        \n
                                      1. Upacharamu \u2013 Bhairavi \u2013 Roopaka \u2013 Thyagaraju<\/li>\n
                                      2. Ammaravamma \u2013 Kalyani \u2013 Khanda chapu \u2013 kalyani<\/li>\n
                                      3. Prakkalanilabadi \u2013 Kharaharapriya \u2013 Chapu \u2013 Thyagaraju<\/li>\n
                                      4. Aragimpave \u2013 Todi \u2013 Roopka \u2013 Thyagaraju<\/li>\n
                                      5. Sangitaj\u00f1amu \u2013 Dhanyasi \u2013 Adi \u2013 Thyagaraju<\/li>\n
                                      6. Endaro mahanu bhavulu \u2013 Sree \u2013 Adi \u2013 Thyagaraju<\/li>\n
                                      7. Naadasudharasambilanu \u2013 Arabhi \u2013 Roopka \u2013 Thyagaraju<\/li>\n
                                      8. Seethamma mayamma \u2013 Vasantha \u2013 Roopka \u2013 Thyagaraju<\/li>\n
                                      9. Marakathavalli \u2013 kambhoji- Adi \u2013 Muthuswamy Deekshitar<\/li>\n
                                      10. Vatapiganapathim bhaje-Hamsadhwani-Adi-Muthuswamy Deekshitar<\/li>\n
                                      11. Sarojadalanetri \u2013 Sankarabharanam \u2013 Adi \u2013 Syamasastry<\/li>\n
                                      12. Enthanerchina \u2013 Saveri \u2013 Adi \u2013 Patnam Subramanyayyar<\/li>\n
                                      13. Mayatheetha swarupini \u2013 Mayamalavagaula -Roopaka \u2013 Ponnayyapillai<\/li>\n
                                      14. Swathi Tirunal Composition<\/li>\n<\/ol>\n

                                        D. Other Compositions:<\/strong>Any two<\/p>\n

                                        Tillana (Any) 2. Tarangam (Any) 3. Javali (Any) 4. Ashtapadi (Any) 5. Padam (Any)<\/p>\n

                                        E. Manodharma Sangeetham<\/strong>: Ragalapana and Swarakalpana: Three out of Five<\/p>\n

                                          \n
                                        1. Bhairavi 2. Kambhoji 3. Mohana 4. Shankarabharanam 5. Kalyani<\/li>\n<\/ol>\n

                                          For more details contact support@sampada.siliconandhra.org<\/a> <\/p>\n

                                          For more details, contact: support@sampada.siliconandhra.org<\/p>\n","protected":false},"excerpt":{"rendered":"

                                          [widget id=”nav_menu-7″] Level 1 Level 2 Level 3 Level 4 Level 1 Carnatic Music (Vocal, Violin, Veena & Flute) Syllabus 1st Year […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"page-templates\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-56","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":198,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/56\/revisions"}],"predecessor-version":[{"id":3277,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/56\/revisions\/3277"}],"wp:attachment":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/media?parent=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}