{"id":314,"date":"2020-12-19T14:47:55","date_gmt":"2020-12-19T14:47:55","guid":{"rendered":"https:\/\/sampadatv.org\/sampada2025\/?page_id=314"},"modified":"2022-11-02T06:34:22","modified_gmt":"2022-11-02T06:34:22","slug":"kuchipudi","status":"publish","type":"page","link":"https:\/\/sampadatv.org\/sampada2025\/kuchipudi\/","title":{"rendered":"Kuchipudi"},"content":{"rendered":"

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\nLevel 1<\/a>
\nLevel 2<\/a>
\nLevel 3<\/a>
\nLevel 4<\/a>
\nLevel 1<\/p>\n

                                KUCHIPUDI  DANCE<\/b><\/p>\n

                   CERTIFICATE COURSE SYLLABUS<\/b><\/p>\n

                                  FIRST  YEAR Level \u2013 1<\/b><\/p>\n

                                               THEORY<\/b><\/p>\n

    \n
  1. Origin of Natya \u2013 as per Bharata\u2019s Natya Sastra<\/li>\n
  2. Definitions of the following technical terms \u2013 Natya, Nrutta, Nrutya, Lasya, Paatra, Apaatra, Kinkini, Sabha<\/li>\n
  3. Sloka depicting Sapta Taala<\/li>\n
  4. Asamyutha Hastas, their significance and usage (as per Abhinaya Darpana)<\/li>\n
  5. Paada Karma \u2013 as per Natya Sastra<\/li>\n<\/ol>\n

                                                  PRACTICAL<\/b><\/p>\n

      \n
    1. Exercises for Male  \u2013  Gunjeelu, Kaali Saamu, Kuppi etc., <\/li>\n<\/ol>\n

      Exercises for Female   \u2013 related to Anga Vinyasa (related to lasya)<\/p>\n

      2. Practice of the following Pada Bheda<\/strong>:                                                         <\/p>\n

        \n
      •  Udgha Tita<\/li>\n
      •  Sama<\/li>\n
      • Agra tala sancharam<\/li>\n
      • Anchita   <\/li>\n
      • Kunchita<\/li>\n
      • Soochi Pada  <\/li>\n<\/ul>\n

        3. Adugulu \u2013 Adavulu<\/strong><\/p>\n

          \n
        • Usi   2.  Taam Tehi hida!  Ttatehi hida   <\/li>\n
        • Tehihi dattaam \u2013 3 types  <\/li>\n
        • Stepping back Nadaka<\/li>\n
        • taam digi dhigitaa \/ tattahi ttatei \u2013 4 tyes <\/li>\n
        • Chuttu Adugulu    <\/li>\n
        • Chaukam \u2013 3 types    <\/li>\n
        • taam\u2026\u2026.digi 
          \nTei\u2026\u2026\u2026Digi
          \nDigi digitaa digidigitei
          \nTaam digi digitaa, tatta digidiogitei
          \nTaam digi (12) taam digi (12) taam digi (12) taam4. tei taa kiTa taka \u2013 20 types
          \n5. Tatehitta \u2013 te hitta
          \n6. kattera naa Tu-4 types
          \n7.manDe koppu
          \n8. taamta ttadinda<\/li>\n<\/ul>\n
            \n
          1. tOm tOm tatha<\/li>\n
          2. tittittie<\/li>\n
          3. palugudu varusas and some other Adavu and Jati<\/li>\n
          4. Item \u2013 Vinayaka Kautham<\/li>\n<\/ol>\n

            Level 2<\/p>\n

                                                KUCHIPUDI  DANCE<\/b><\/p>\n

                                CERTIFICATE COURSE SYLLABUS<\/b><\/p>\n

                                                  SECOND  YEAR<\/b><\/p>\n

                                                        THEORY<\/b><\/p>\n

              \n
            1. Indian Dance forms \u2013 brief description; Introduction to classical dance forms<\/li>\n<\/ol>\n
                \n
              1. Significance of Samyutha Hastas and their usage (Abhinaya Darpana)<\/li>\n<\/ol>\n
                  \n
                1. Brief description of Chaturvudha Abhinaya (Abhinaya Darpana)<\/li>\n<\/ol>\n
                    \n
                  1. 12 Hasta Prana<\/li>\n<\/ol>\n
                      \n
                    1. Memorising the four slokas: SambhurGowrl <\/li>\n<\/ol>\n

                      Tatha\u2026.(Names of the Authors of Natya Sastras)<\/p>\n

                      Aangikam Bhuvanam, GururBrahma, Sabha Kalpataru<\/p>\n

                        \n
                      1. Siro bedha, Drishti Bedha, their significance and usage as per Abhinaya Darpana<\/li>\n<\/ol>\n
                          \n
                        1. Life history of Siddhendra Yogi and Narayana Teertha<\/li>\n<\/ol>\n

                                                                     PRACTICAL<\/b><\/p>\n

                            \n
                          1. Jati swaram, athaana raagam, aadi taala <\/li>\n<\/ol>\n
                              \n
                            1. tuLuva raajendra sabdam-Jhanutha<\/li>\n<\/ol>\n
                                \n
                              1. Ramayana Sabdam<\/li>\n<\/ol>\n
                                  \n
                                1. Krishnam kalaya sakhi \u2013 tarangam<\/li>\n<\/ol>\n

                                  Level 3<\/p>\n

                                                                             KUCHIPUDI  DANCE<\/b><\/p>\n

                                                              CERTIFICATE COURSE SYLLABUS<\/b><\/p>\n

                                                                        THIRD YEAR \u2013 Level 3<\/b><\/p>\n

                                                                                       THEORY<\/b><\/p>\n

                                    \n
                                  1. Brief history of Kuchipudi Natya: evalution and development of yakshagana, bhagavata mela, Bhamakalapam<\/li>\n<\/ol>\n
                                      \n
                                    1. Nava ras \u2013 their description as per Natya Sastra <\/li>\n<\/ol>\n
                                        \n
                                      1. Greeva & Bru bhed \u2013 their significance and usages as per Abhinaya Darpana<\/li>\n<\/ol>\n
                                          \n
                                        1. Significance of uttama-madhyama-adhama Nayakas<\/li>\n<\/ol>\n
                                            \n
                                          1. Significance and usage of Devata Hastas<\/li>\n<\/ol>\n
                                              \n
                                            1. Life History of Jayadev and Tyagaraj<\/li>\n<\/ol>\n
                                                \n
                                              1. Biography of Vedantam Lakshmi Narayana Sastry, Vempati Venkata Narayana,     Chinta Venkatramayya<\/li>\n<\/ol>\n

                                                                                                <\/b><\/p>\n

                                                                                                  PRACTICAL<\/b><\/p>\n

                                                1. One Ramadas Keerthana
                                                \n2. Neelamegha Sareera \u2013 Tarangam
                                                \n3. Devi Stuti
                                                \n4. One Annamacharya Keerthana
                                                \n5. Practice Jatis with Tala and demonstrate orally and perform
                                                \n6. Learn the Raga,Tala, composer and meaning of the songs of the dance numbers that they learnt
                                                \n7. Mandooka Sabdam<\/p>\n

                                                Level 4<\/p>\n

                                                                                      KUCHIPUDI  DANCE<\/b><\/p>\n

                                                                       CERTIFICATE COURSE SYLLABUS<\/b><\/p>\n

                                                                                  FOURTH YEAR \u2013 Level 4<\/b><\/p>\n

                                                1. Samyuta Hastas (Natya Sastra)
                                                \n2. Indian Classical Dances (Kathakali, Mohiniattam, Sattriya, Chhau)                   <\/b><\/p>\n

                                                                           THEORY<\/b><\/p>\n

                                                  \n
                                                1. Qualities of Sveeya, Parakeeya and Samanya Nayikaas and AshTa Vidha Nayikaas and their stages.<\/li>\n
                                                2. Significance and usage of Dasavatara Hastas.<\/li>\n<\/ol>\n
                                                    \n
                                                  1. Brief description of Lokadharmi and Natyadharmi<\/li>\n<\/ol>\n
                                                      \n
                                                    1. Life history of : Kshetrayya, Ramadas, Annamachary, Munipalle Subrahmanya Kavi<\/li>\n<\/ol>\n

                                                                                                 PRACTICAL<\/b><\/p>\n

                                                        \n
                                                      1. Dasavatara Sabdam including Slokam<\/li>\n
                                                      2. Any Tyagaraja Keerthana with Jathi (Rendering of Jathi and singing to talam)<\/li>\n
                                                      3. Any Daruvu<\/li>\n
                                                      4. Adhyatma Ramayana Keerthana<\/li>\n
                                                      5. Any Thillana<\/li>\n
                                                      6. Raga, Tala, composer and meanings of the items<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

                                                        [widget id=”nav_menu-7″] Level 1 Level 2 Level 3 Level 4 Level 1                     […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-314","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/comments?post=314"}],"version-history":[{"count":39,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/314\/revisions"}],"predecessor-version":[{"id":3212,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/314\/revisions\/3212"}],"wp:attachment":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/media?parent=314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}