{"id":2121,"date":"2021-09-19T10:10:14","date_gmt":"2021-09-19T10:10:14","guid":{"rendered":"https:\/\/sampadatv.org\/sampada2025\/?page_id=2121"},"modified":"2021-09-19T10:23:40","modified_gmt":"2021-09-19T10:23:40","slug":"andhra-natyam","status":"publish","type":"page","link":"https:\/\/sampadatv.org\/sampada2025\/andhra-natyam\/","title":{"rendered":"Andhra Natyam"},"content":{"rendered":"

[widget id=”nav_menu-7″]
\nLevel 1<\/a>
\nLevel 2<\/a>
\nLevel 3<\/a>
\nLevel 4<\/a>
\nLevel 1<\/p>\n

ANDHRA NATYAM<\/strong><\/p>\n

CERTIFICATE COURSE SYLLABUS<\/strong><\/p>\n

FIRST YEAR \u2013 Level 1<\/strong><\/p>\n

THEORY<\/strong><\/p>\n

    \n
  1. Origin of Nritya as per Nandikeswara\u2019s Abhinaya Darpanam<\/li>\n
  2. Origin of Natya as per Bharatha\u2019s Natya Sastra<\/li>\n
  3. Various forms of Indian Classical Dances<\/li>\n
  4. Samyutha and Asamyutha Hastas and their significance<\/li>\n
  5. Definitions of \u2013 Natya, Nrutta, Nrutya, Lasya, Tandava, Adavu, Adugu, jati, jaati, Yathi, Gati, Muktaayi, Teermanam<\/li>\n<\/ol>\n

    PRACTICAL<\/strong><\/p>\n

      \n
    1. Body Exercises<\/li>\n
    2. Adugulu \u2013 Adavulu<\/li>\n
    3. Pancha Gathies with practice in Nrutta<\/li>\n
    4. Teermanam and Jaties in Pancha Gathies<\/li>\n
    5. Angikam Bhuvanam Yasya \u2013 Slokam<\/li>\n
    6. Gurur Brahma Sloka and Samudra Vasane Devi Sloka<\/li>\n
    7. Pushpanjali in Aradhana Pooja style<\/li>\n
    8. Addita chari vinyasam <\/li>\n<\/ol>\n

      For more details contact:<\/strong> support@sampada.siliconandhra.org<\/p>\n

      Level 2<\/p>\n

      ANDHRA NATYAM<\/strong><\/p>\n

      CERTIFICATE COURSE SYLLABUS<\/strong><\/p>\n

      SECOND YEAR \u2013 Level 2<\/strong><\/p>\n

      THEORY<\/strong><\/p>\n

        \n
      1. Usage of Samyutha and Asamyutha Hastas<\/li>\n
      2. Various Nruttha and Nrutya Hastas<\/li>\n
      3. Anga \u2013 Pratyanga \u2013 Upanga<\/li>\n
      4. Siro Bedha and Drishti Bedha as per Abhinaya Darpana<\/li>\n
      5. Definitions of the following technical terms<\/strong> \u2013 Chari \u2013 Rechaka \u2013 karana \u2013 Angahara \u2013 Bhramari \u2013 Utplavana \u2013 Raja Narthaki \u2013 Deva Narthaki \u2013 Vara Kanthalu \u2013 Sollukattu \u2013 Koutham \u2013 Kaivaram \u2013 Melam \u2013 Meju vani<\/li>\n<\/ol>\n

        PRACTICAL<\/strong><\/p>\n

          \n
        1. Vinayaka Koutam (In Vinayaka Tala)<\/li>\n
        2. Kaivaram (about one God)<\/li>\n
        3. Sabdam (Kasi Natha Kavi)<\/li>\n
        4. Padyam \u2013 Nallani Vaadu from Bhagavatha of Potanamatya<\/li>\n
        5. Slokam \u2013 from Sri Krishna Karnamrutam<\/li>\n
        6. One Annamacharya Keerthana<\/li>\n<\/ol>\n

          Level 3<\/p>\n

          ANDHRA NATYAM<\/strong><\/p>\n

          CERTIFICATE COURSE SYLLABUS<\/strong><\/p>\n

          THIRD YEAR \u2013 Level 3<\/strong><\/p>\n

          THEORY<\/strong><\/p>\n

            \n
          1. Devatha Hastas \u2013 Ashta Dikpalaka Hastas \u2013 Dasavatara hastas \u2013 bandhavya Hastas<\/li>\n
          2. Margi and Desi<\/li>\n
          3. Bhru and Greeva varieties as per Abhinaya Darpana<\/li>\n
          4. Description of Chaturvidhabhinaya<\/li>\n
          5. Bhava \u2013 Rasa \u2013 Manodharma<\/li>\n
          6. Brief description of the history of Dances in Andhra Pradesh<\/li>\n
          7. Patra \u2013 Apaatra \u2013 Patra\u2019s Bahih Prana \u2013 Antara Prana<\/li>\n
          8. Introduction of the writers of treatises on Nritya and Natya<\/li>\n
          9. Services rendered by Nayaka Rajas and Maharajas for the development of Dance art.<\/li>\n
          10. Brief Life histories of Bharatha \u2013 Nandikesa \u2013 Sarada Tanaya \u2013 Kasi Nathaiah<\/li>\n<\/ol>\n

            PRACTICAL<\/strong><\/p>\n

              \n
            1. Two Padams<\/li>\n
            2. Two Javalies<\/li>\n
            3. Dasavataram (as per the tradition of Marampalli sisters)<\/li>\n
            4. Tarangam<\/li>\n
            5. Sabdam<\/li>\n<\/ol>\n

              Level 4<\/p>\n

              ANDHRA NATYAM<\/strong><\/p>\n

              CERTIFICATE COURSE SYLLABUS<\/strong><\/p>\n

              FOURTH YEAR \u2013 Level 4<\/strong><\/p>\n

              THEORY<\/strong><\/p>\n

                \n
              1. Nayika and Nayakas and their friends<\/li>\n
              2. Ashta Vidha Nayikas and their characterictics<\/li>\n
              3. 33 Sabcgaru Vgavas ub \/satvujavgubata<\/li>\n
              4. Description of Nava Rasas and their Sthayi Bhavas<\/li>\n
              5. Introduction to Bhama Kalapam and Golla Kalapam<\/li>\n
              6. Nava Janardhanam and Bhama Kalapam as used to be presented in the East godavari Dt.<\/li>\n
              7. Writers of Bhama Kalapam and their introduction<\/li>\n
              8. Life histories of Munipalle Subrahmanya Kavi, Kshetrayya, Narayana Teertha and Annamacharya<\/li>\n<\/ol>\n

                PRACTICAL<\/strong><\/p>\n

                  \n
                1. Andhyatma Ramayana Keethana from Bala Kandam<\/li>\n
                2. One Kshetrayya Padam depicting Virahotkan Thitha.<\/li>\n
                3. Nava Janardhanam, Satya Bhama Pravesa Daruvu (b) Kalaha Karanam<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

                  [widget id=”nav_menu-7″] Level 1 Level 2 Level 3 Level 4 Level 1 ANDHRA NATYAM CERTIFICATE COURSE SYLLABUS FIRST YEAR \u2013 Level 1 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2121","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/2121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/comments?post=2121"}],"version-history":[{"count":31,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/2121\/revisions"}],"predecessor-version":[{"id":2152,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/2121\/revisions\/2152"}],"wp:attachment":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/media?parent=2121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}