{"id":2085,"date":"2021-09-19T07:52:34","date_gmt":"2021-09-19T07:52:34","guid":{"rendered":"https:\/\/sampadatv.org\/sampada2025\/?page_id=2085"},"modified":"2021-09-19T10:07:31","modified_gmt":"2021-09-19T10:07:31","slug":"mridangam","status":"publish","type":"page","link":"https:\/\/sampadatv.org\/sampada2025\/mridangam\/","title":{"rendered":"Mridangam"},"content":{"rendered":"<p>[widget id=&#8221;nav_menu-7&#8243;]<br \/>\n<a>Level 1<\/a><br \/>\n<a>Level 2<\/a><br \/>\n<a>Level 3<\/a><br \/>\n<a>Level 4<\/a><br \/>\nLevel 1<\/p>\n<p style=\"text-align: center;\"><strong>CARNATIC MUSIC CERTIFICATE COURSE Syllabus \u2013 MRIDANGAM<\/strong><\/p>\n<p style=\"text-align: center;\"><strong> First Year \u2013 Theory <\/strong><\/p>\n<p>1. History of Mridangam<\/p>\n<p>2. Importance of Mridangam<\/p>\n<p>3. Study of Sapta talas<\/p>\n<p>4. Talangas (Shandgas), (Parts of Tala) and their signs and symbols<\/p>\n<p style=\"text-align: center;\"><strong> First Year \u2013 Practical<\/strong><\/p>\n<p>1. Preliminary exercises Chinnapala Varusalu \u2013 10<\/p>\n<p>2. Advanced exercises \u2013 5 (Peddapala)<\/p>\n<p>3. Sadhana Exercises<\/p>\n<p>4. Reduction patterns (Taggimpu)<\/p>\n<p>5. Recitation of sapta tala jatis by showing tala&nbsp;<\/p>\n<p style=\"text-align: center;\">For more details contact support@sampada.siliconandhra.org<\/p>\n<p>Level 2<\/p>\n<p style=\"text-align: center;\">CARNATIC MUSIC \u2013 CERTIFICATE COURSE<br \/>\nSYLLABUS \u2013 MRIDANGAM<br \/>\nSecond Year \u2013 Level 2 \u2013 Theory<\/p>\n<p>1. Detailed study of Tala dasa pranas special focus to mukhyapranas<\/p>\n<p>(a) kala , (b) Marga&nbsp; (c) Kriya (d) Anga (e) Graha<\/p>\n<p>2. Jati \u2013 Gati and their utility<\/p>\n<p>3. Diagram of Mridangam and recognizing the different parts.<\/p>\n<p>4. Manufacture of Mridangam.<\/p>\n<p>5. Knowing the names of Mridangam Exponants of 20th century belonged to Telangana,<br \/>\nAndhra Pradesh &amp; Tamil Nadu<br \/>\na. Aswadhati Rmamurthy<br \/>\nb. Pudukkottai Manpundia pillai<br \/>\nc. Pudukkottai Dashina Murthy Pillai<br \/>\nd. Potluru Viraraghava Chowdari<br \/>\ne. Varnasi Ghantayya Sastry<br \/>\nf. Maremanda Varadachari<br \/>\ng. kuchibhotala vekateswara Sastri<\/p>\n<p>6. Shadangas and their utility.<\/p>\n<p style=\"text-align: center;\"><strong>Second Year \u2013 Level 2 \u2013 Practical<\/strong><\/p>\n<p>1. Learning Five lessons in chaturasra jati triputa along with muktayi, Mohara and conclusion (mugimpu)<br \/>\n2. Learning (5) Five lessons in chaturasrajati,. Rupaka tala along with Mohara, Muktayi and<br \/>\nconclusion.<br \/>\n3. Playing technique of different brief ive) Jatis \u2013 reciting bols orally<br \/>\n4. Pancha (Fing of khanda chapu, Misrachapu talas and reciting bols in Trikala by showing<br \/>\nthe tala.<\/p>\n<p>5. Understand conclusions in a tala&nbsp;<\/p>\n<p><strong>For more details contact:<\/strong> support@sampada.siliconandhra.org<\/p>\n<p>Level 3<\/p>\n<p style=\"text-align: center;\"><strong>CARNATIC MUSIC \u2013 CERTIFICATE COURSE<\/strong><br \/>\n<strong>SYLLABUS \u2013 MRIDANGAM<\/strong><br \/>\n<strong>Third Year \u2013 Level 3 \u2013 Theory<\/strong><\/p>\n<p>1. A detailed study of Taladasa Pranas exclusively upa pranas<br \/>\n(a). Jati (b).Kala (c). Laya (d). Yati. (e). Prastara<\/p>\n<p>2. List of talas arise with the combination of Jati bheda in Sapta talas<\/p>\n<p>3. A detailed catalogue of laya vadyas used in carnatic Music<\/p>\n<p>4. Knowing the formula of Jati Trikala (Three speeds)<\/p>\n<p>5. Study of Chaputalas<\/p>\n<p>6. Writing notation to the prescribed lessons with signs and symbols<\/p>\n<p>7. Biography and playing technique of the following Mridangam experts.<br \/>\n(a) Sri kolanka Venkata raju b) Sri Yalla Somanna (c) Sri Mullapudi Lakshmana Rao (d) Sri Mahadevu Radha krishna Raju (e) Sri Dharmala Ram murthy<\/p>\n<p>8. Pancha gati (five) and their explanations.<\/p>\n<p style=\"text-align: center;\"><strong>CARNATIC MUSIC \u2013 CERTIFICATE COURSE<\/strong><br \/>\n<strong>SYLLABUS \u2013 MRIDANGAM<\/strong><br \/>\n<strong>Third Year \u2013 Level 3 \u2013 PRACTICAL<\/strong><\/p>\n<p>1. Learning (5) Five lessons in Misrachapu \u2013 tala along with reduction (Taggimpu), patterns, sadhana patterns, Muhara, Muktayi and conclusion.<\/p>\n<p>2. Learning (5) Five lessons in Misrachapu tala along with reduction (Taggimpu) Patterns, Muhara, Muktyai and conclusion.<\/p>\n<p>3. Recite and play the sapta tala Jatis in Trikala<\/p>\n<p>4. To play and recite the pancha Jatis in Trikala<\/p>\n<p>5. Preliminary lessons in Chaturasrajati Triputa tala set to two kalas in chowka kala by showing the tala.<\/p>\n<p style=\"text-align: center;\"><strong>For more details contact:<\/strong> support@sampada.siliconandhra.org<\/p>\n<p>Level 4<\/p>\n<p style=\"text-align: center;\"><strong>CARNATIC \u2013 MUSIC CERTIFICATE COURSE<\/strong><br \/>\n<strong>SYLLABUS \u2013 MRIDANGAM<\/strong><br \/>\n<strong>Fourth Year \u2013 Level 4 \u2013 Theory<\/strong><\/p>\n<p>1. The system of Anuloma and viloma<br \/>\n2. A study of Desadi and Madhyadi Talas<br \/>\n3. A study of shodasangas<br \/>\n4. A study of Visesha laghus<br \/>\n5. Scheme of 35 talas and their names<br \/>\n6. The method of calculating muktayis in different margams found in various talas with signs and symbols.<br \/>\n7. The biographies of contemporary Mridangam experts.<\/p>\n<ul>\n<li>1. Late Sri Danda mudi Rammohana Rao<\/li>\n<li>2. Sri. V. Kamalakar Rao<\/li>\n<li>3. Late Sri. Mullapudi Sri Ram muthy<\/li>\n<li>4. Sri Yalla Venkateswara Rao<\/li>\n<li>5. Sri Vankakayala Narasimham<\/li>\n<li>6. Late Sri. K. Veerabhadra Rao.<\/li>\n<\/ul>\n<p style=\"text-align: center;\"><strong>CARNATIC MUSIC \u2013 CERTIFICATE COURSE<\/strong><br \/>\n<strong>SYLLABUS \u2013 MRIDANGAM<\/strong><br \/>\n<strong>Fourth Year \u2013 Level 4 \u2013 PRACTICAL<\/strong><\/p>\n<p>1. Learning Five lessons in Chaturasrajati, Triputa Tala set in rendu kala chowkam along with<br \/>\nmohara, Muktayi and conclusion<br \/>\n2. Learning Five lessons in Trisrajati Triputa tala set in Ekakala along with Mohara, Mukyai<br \/>\nand conclusion<br \/>\n3. Learning 5 lessons in Khandajati Ata tala set in Eka kala along with muktayis<br \/>\n4. Tuning of Mridangam<br \/>\n5. Playing technique of Mrdangam accompaniment exclusively for vocal music<br \/>\n6. An understanding of misrajati Jhampa tala and khandajati Triputa Tala and explain the<br \/>\nmethod of calculating brief mukthayis to the talas.<br \/>\n.<br \/>\n<strong>For more details contact:<\/strong> support@sampada.siliconandhra.org<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[widget id=&#8221;nav_menu-7&#8243;] Level 1 Level 2 Level 3 Level 4 Level 1 CARNATIC MUSIC CERTIFICATE COURSE Syllabus \u2013 MRIDANGAM First Year \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-2085","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/2085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/comments?post=2085"}],"version-history":[{"count":15,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/2085\/revisions"}],"predecessor-version":[{"id":2120,"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/pages\/2085\/revisions\/2120"}],"wp:attachment":[{"href":"https:\/\/sampadatv.org\/sampada2025\/wp-json\/wp\/v2\/media?parent=2085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}